Dear Fats, I Love You by Davell Crawford

Davell Crawford

Dear Fats, I Love You

Price: € ~~19.95~~ 13.97
Format: CD
Label: Basin Street
UPC: 0652905140628
Catnr: BSR 14062
Release date: 04 October 2019

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Label
Basin Street

UPC
0652905140628

Catalogue number
BSR 14062

Release date
04 October 2019

Album

Artist(s)

Composer(s)

About the album

Davell Crawford, the “Piano Prince of New Orleans,” is paying respect to Antoine ‘Fats’ Domino, the renowned New Orleans piano-player and vocalist who passed away in 2017. Dear Fats, I Love You finds Crawford playing fifteen of Domino’s most famous songs on solo piano in a tasteful tribute to the king of New Orleans R&B.

A follow-up to his equally piano-centric Piano in the Vaults, Vol. 1 (2016, Basin Street Records), Dear Fats, I Love You highlights Crawford’s raw talent as a performer saturated with the soul and history of New Orleans music. Unlike Piano in the Vaults this time Crawford focuses solely on the piano without any vocals, emphasizing the beauty and clarity of the Steinway Model D Piano expertly captured by the engineers and technicians of Steinway & Sons. Crawford ingeniously translates the many classic Fats Domino vocal lines into elaborate, trill filled melodies that allow the listener to experience the music in a way that’s never been heard before. Crawford’s arrangements are dripping with New Orleans soul, and rightfully so, as many of the songs are written by Domino and his longtime collaborator and all-around New Orleans music phenom, Dave Bartholomew. While some songs are immediately recognizable like “Ain’t That A Shame” and “My Blue Heaven” this is not to say Crawford hasn’t done quite a bit of re-imagining of these classics. Crawford’s “I’m Walkin’,” for example, turns the traditionally upbeat dance-number into a delectable, sultry-slow, raunchy blues. And immediately Davell turns on a dime and kicks into a lightning-fast version of “I’m Ready” more than a few clicks faster than the original. Other gems from the album include hits such as “Let The Four Winds Blow” and a creative mashup of the immortal songs “When My Dreamboat Comes Home” and “When The Saints Go Marching In.”

For Crawford, this release is more than just a tribute to a musical legend. As the title makes evident, this is a love letter to a close friend. While the friendship may be a surprise to some, to those who knew Domino closely it makes perfect sense—both Domino and Crawford (prodigious piano players and vocalists) found fame at a young age, and despite outsized stage personas, have lived relatively private lives spent mostly in the company of close family and friends. In Crawford’s own words, “We spent a lot of time together, a lot of private time. I was a very shy person. I pretty much still am, actually, very quiet and pretty reclusive, and he was the same way - until he walked out on stage. He loved the love that he got being Fats Domino. But he also loved being private, and he loved to spend time with his friends, just a regular guy. Hanging out with his family and with his friends, with platinum and gold records on the wall. He always talked about what he had done as a young performer and compared it to what I was doing. It was an honor for him to do that.”

It is hard to overstate the importance of Fats Domino to the city of New Orleans, Davell Crawford, and the world of music itself. Dear Fats, I Love You is a personal, heartfelt tribute from one friend to another, but it’s far from being somber. It’s a celebration of the music of a man who brought endless joy into the world simply by being himself.

Davell Crawford, der "Piano Prince of New Orleans", gedenkt Antoine 'Fats' Domino, dem berühmten New Orleaner Klavierspieler und Sänger, der 2017 verstarb. 'Dear Fats, I Love You' Crawford spielt fünfzehn der berühmtesten Lieder von Domino auf Solo-Piano in einer geschmackvollen Hommage an den König von New Orleans R&B.
‚Dear Fats, I Love You‘ unterstreicht Crawfords ungeschminktes Talent als Interpret, der mit der Seele und der Geschichte der New Orleanser Musik verbunden ist. Crawford konzentriert sich ausschließlich auf das Klavier ohne Gesang und betont die Schönheit und Klarheit des Steinway Model D Piano. Crawford übersetzt die vielen klassischen Fats Domino-Gesangslinien genial in aufwendige Melodien, die es dem Zuhörer ermöglichen, die Musik auf eine Weise zu erleben, die noch nie zuvor gehört wurde. Crawfords Arrangements sind voller New Orleans-Soul und das zu Recht, denn viele der Songs stammen von Domino und seinem langjährigen Mitarbeiter und vielseitigen New Orleans-Musikphänomen Dave Bartholomew. Während einige Songs wie "Ain't That A Shame" und "My Blue Heaven" sofort erkennbar sind, leistet Crawford ebenso Neuinterpretation dieser Klassiker. Crawfords "I'm Walkin'" zum Beispiel verwandelt die traditionell optimistische Dance-Nummer in einen köstlichen, schwül-slowigen, knisternden Blues. Und sofort schaltet Davell einen Dime ein und startet eine blitzschnelle Version von "I'm Ready", die mehr als ein paar Klicks schneller ist als das Original. Weitere Juwelen des Albums sind Hits wie "Let The Four Winds Blow" und ein kreatives Mashup der unsterblichen Songs "When My Dreamboat Comes Home" und "When The Saints Go Marching In".
Für Crawford ist diese Veröffentlichung mehr als nur eine Hommage an eine musikalische Legende. Wie der Titel deutlich macht, ist dies ein Brief an einen engen Freund. Während die Freundschaft für einige eine Überraschung sein mag, macht sie für diejenigen, die Domino genau kannten, vollkommen Sinn - sowohl Domino als auch Crawford (wunderbare Klavierspieler und Sänger) fanden schon in jungen Jahren Ruhm und trotz ausgeprägter Bühnenpersönlichkeit haben sie ein relativ privates Leben geführt. In Crawfords eigenen Worten: "Wir verbrachten viel Zeit miteinander, viel private Zeit. Ich war ein sehr schüchterner Mensch. Ich bin eigentlich noch ziemlich ruhig und ziemlich zurückgezogen und er war genauso - bis er auf der Bühne rausging. Er liebte die Liebe, die er als Fats Domino empfand. Aber er liebte es auch, privat zu sein und er liebte es, Zeit mit seinen Freunden zu verbringen, nur ein normaler Kerl. Er hängt mit seiner Familie und seinen Freunden rum, mit Platin- und Goldplatten an der Wand. Er sprach immer darüber, was er als junger Künstler getan hatte und verglich es mit dem, was ich tat. Es war eine Ehre für ihn, das zu tun."

Es ist schwer zu übersehen, wie wichtig Fats Domino für die Stadt New Orleans, Davell Crawford und die Welt der Musik selbst ist. ‚Dear Fats, I Love You‘ ist eine persönliche, herzliche Hommage von einem Freund zum anderen, aber es ist alles andere als düster. Es ist eine Feier der Musik eines Mannes, der der Welt endlose Freude brachte, indem er einfach er selbst war.

Artist(s)

Davell Crawford (piano)

The genius of Davell Crawford arises from his ability to play and sing the music of his passion—the music of his life. The New Orleans keyboardist, vocalist, composer and arranger soaked up the surrounding rhythms and harmonies that were his deep musical roots and nurtured his natural talent.
Acclaimed as the “Piano Prince of New Orleans,” Crawford brings equal exuberance to both modern and classic jazz, rhythm and blues, funk, blues, gospel, soul, pop, American folk and touches of country-western. Growing up in New Orleans and presently residing there and in New York City plus spending many youthful days in Southwest Louisiana, Crawford's influences run the gamut from Fats Domino to Sarah Vaughan, to Patsy Cline and even Liberace. In the tradition of those from the Crescent City who came before him, Crawford also believes in the art of entertainment. He'll get up from the piano, move to the apron of a stage, prance, joke and make folks feel at home.
As a child, Crawford attended both Baptist and the Catholic churches. He watched the pipe organist so attentively that when he first sat in front of the impressive instrument he already knew the function of the stops and pedals. The organ at his church was the first he ever played and throughout his life he's continued to man the organ in both church and club settings. The prowess he developed is best exemplified on his 1998 Rounder Records release, the swinging, soulful and funky, The B-3 & Me. Tellingly, it includes two Ray Charles hits: “I Can't Stop Loving You” and “Hallelujah I Just Love Her So.” At age seven, Crawford, who has often been compared to the great Ray Charles, made his first public appearance playing his favorite tunes from the master on a piano outside of New Orleans' famous coffee stand, Café du Monde. Backed by quintets, big bands and on occasion orchestras, he's also paid tribute to Charles at several outstanding shows around the world. His 2005 tribute to Ray Charles when he assembled some of New Orleans’ finest players to form the Davell Crawford Orchestra, has been noted as "One of The Best Concerts Ever".
At just 10 years old, Crawford made an impression on the New Orleans gospel community by taking on the position of accompanist to the St. Peter Claver Catholic Church choir. By the time he was 11, his talents were utilized by the St. Joseph Baptist Church where he became the youth choir director, pianist and organist to the sanctuary and men’s choruses. Since then Davell has traveled the world conducting choral workshops and making appearances in gospel music. Throughout his career he's also lead a host of award winning gospel ensembles. He chose the 'creme de la cream' of New Orleans gospel vocalists to form The Davell Crawford Singers, whose members are spread from the East to West coasts, while the core members remain in New Orleans. They continue to reunite today and are heard on his gripping CD, My Gift To You, his first on the Basin Street Records label.
Gospel is at the heart of everything that Crawford does. Davell is the godson of the iconic Roberta Flack and the grandson of the great vocalist/pianist/composer James “Sugar Boy” Crawford of “Jock-A-Mo” fame giving reason for the honesty, passion, and ample rhythm and blues that also fills his soul. Crawford can—and has— thrown down all night R&B concerts and parties jumpin' with tunes from the likes of pianists Fats Domino, Professor Longhair, James Booker and Huey “Piano” Smith. Crawford is definitely in that number as he carries the New Orleans piano legacy along with the complete American Roots legacy.
A softer, quieter side of Davell Crawford is revealed when, as heard on his 1999 release, Love Like Yours and Mine, he slips comfortably into his jazz mode on such classics as “Fly Me to the Moon.” His tenderness and informed jazz sensibilities shine with every note when Crawford approaches the standards. Often, he'll be in a trio or quartet setting behind the grand piano or standing at center stage with only the microphone and the trio backing him for an evening of classic or modern jazz.
Then again, he might don a silly wig and an eye patch in honor of the late great James Booker and take the house down by emanating his fellow pianist's eclectic, frequently elegant panache. Crawford is also fully versed in the traditional jazz songbook of New Orleans, the birthplace of jazz. A fact that will be confirmed if you are lucky enough to experience a performance by Davell Crawford and His Creole Jazz Men of New Orleans. He's also been known to make special rare appearances at the music's landmark, Preservation Hall.
With his immense talent and experience, the pianist and vocalist could have chosen his next release to be in any number of genres. On his meticulously produced album, My Gift To You, Crawford remarkably embraces the full spectrum of his interests and influences as he reaches into his rich bag of resources and natural abilities. On the disc, just as he has throughout the world during his decades-long career, Crawford celebrates his musical roots and becomes their ambassador. As the Prince of New Orleans joyfully expresses on the opening track of My Gift To You: “I am the Creole man, I come from foreign lands to spread the news...” He also expresses, just as momentously, on the closing track, "Louisiana, I love you for all you've given to me, I promise never forget you as I travel o've the stormy sea." Crawford’s release, Piano in the Vaults, Vol. 1 (Released April 2016 on Basin Street Records) takes a step back from the heavily orchestrated My Gift to You and showcases Crawford’s raw talent as a performer saturated with the soul and history of New Orleans music. The album is the first in a series of six volumes of solo recordings done between 1998-2013. On the album Crawford draws inspiration from the long lineage of New Orleans piano players including Jelly Roll Morton, Fats Domino, Professor Longhair, Allen Toussaint, and James Booker. Piano in the Vaults, Vol. 1 secures Davell Crawford’s role as a tour-de-force of the New Orleans piano tradition with a unique vocal talent. Listeners of the album will have no trouble listing Crawford’s name in the short list of truly great New Orleans piano players.
In December of 2017, Crawford released his first holiday-themed recording, Merry Christmas from Davell Crawford, a heartfelt EP of three Christmas classics.

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